gilded-surfaces
Gold leaf is a layer, not a color
To read a gilded surface, follow the support, ground, leaf, burnish and wear—not the hue alone.
Read articleLeaf / ground / burnish
Leaf, foil, powder and amalgam place a small quantity of gold over another material; the support and method remain part of the visible result.
Gold leaf over bole behaves differently from amalgam gilding on metal. The word gold describes appearance poorly unless the substrate, binder and finishing method are also considered.
Ground layers, hatching, size, burnishing and punchwork can shape reflection as much as the leaf itself. Surface brilliance is assembled through several trades and stages.
Historic fire gilding exposed workers to mercury vapour. Its visual legacy can be studied without presenting a hazardous process as an attractive contemporary craft recipe.
gilded-surfaces
To read a gilded surface, follow the support, ground, leaf, burnish and wear—not the hue alone.
Read articlegilded-surfaces
A brilliant metal surface can carry a hidden history of mercury exposure; responsible writing keeps beauty and hazard in the same frame.
Read article